Google Doodle Celebrates Sergei Eisenstein 120th birthday Wishes : Today, we celebrate his 120th birthday with a tribute to his pioneering technique. Happy birthday, Sergei Eisenstein!. Born this day in 1898, Sergei Eisenstein was a Soviet artist and avantgarde director of several groundbreaking films, including Battleship Potemkin, Strike, and The General Line.
Google Doodle Celebrates Sergei Eisenstein 120th birthday Wishes
Google Doodle Celebrates Sergei Eisenstein : Known as the father of montage — the film technique of editing a fast-paced sequence of short shots to transcend time or suggest thematic juxtapositions — Eisenstein deployed arresting images in sequences of psychological precision. His films were also revolutionary in another sense, as he often depicted the struggle of downtrodden workers against the ruling class.
Sergei Mikhailovich Eisenstein was a Soviet film director and film theorist, a pioneer in the theory and practice of montage.
His writings and films have continued to have a major impact on subsequent filmmakers. Eisenstein believed that editing could be used for more than just expounding a scene or moment, through a “linkage” of related images. Eisenstein felt the “collision” of shots could be used to manipulate the emotions of the audience and create film metaphors. He believed that an idea should be derived from the juxtaposition of two independent shots, bringing an element of collage into film. He developed what he called “methods of montage”:
Google Doodle Sergei Eisenstein
Born on Jan 23, 1898 in Riga, Latvia, Sergei Mikhaylovich Eisenstein was to become one of the most world-renowned filmmakers of the first half of the 20th century. Eisenstein was of Jewish descent through his paternal grandparents. His father worked in shipbuilding, until 1910, when the family moved to St. Petersburg, where his training as an architect and engineer had a great influence on his future filmmaking.
Continually seeking to expand the filmmaking craft, Eisenstein drew upon his early interest in Japanese Kabuki theatre and Noh drama and their use of masks in his last film “Ivan the Terrible”. During World War II, Eisenstein began work on this epic film about the 16th-century Tsar Ivan IV, whom Stalin admired. Before he could finish the third part of the film, Eisenstein died, a few days after his 50th birthday, on February 11, 1948. His political agendas may not have been fulfilled, but his revolutionary advances in film theory and montage will not be long forgotten.